The 27th Latin Grammy Awards ceremony, held on November 12, 2026, at the MGM Grand Garden Arena in Las Vegas, became one of the most prominent fashion events of the season. Rosalia, Anitta, Camila Cabello, Janet Jackson, Greeicy, Bad Gyal, and other stars of the Latin scene gathered on the red carpet. As the lifestyle project WAVE from RBC-Ukraine notes, white color "permeated" most of the looks that evening: Roselyn Sanchez’s silver hooded dress and Yelda Banchon’s bright pink outfit stood out against this backdrop. The editorial team collected 15 key appearances of the evening, including several works that set the visual tone for the entire ceremony.
Rosalia and the visual line of the album 'LUX'
The main fashion gesture of the evening was Rosalia's appearance in a white Matières Fécales dress, which, thanks to its voluminous tulle skirt, resembled a wedding gown. The fitted corset with back lacing balanced the volume of the bottom, while the strict silhouette maintained restraint. According to WAVE, it was in this outfit that the singer continued the visual line of the album 'LUX', which received the main award of the ceremony that same evening. Thus, the red carpet became a continuation of the album's concept rather than a separate event — a rare case for the industry where the wardrobe and musical release are built into a single narrative line.
Camila Cabello: satin, lace, and white boa
Camila Cabello chose a soft pink Simone Rocha ensemble in a lingerie style. A short satin top featured a bow and floral lace, which was repeated on the hem of the long skirt — it was this symmetry of details that defined the character of the look. White feather boas added volume to the silhouette, and the singer left her hair loose, which softened the strictness of the cut. The outfit became one of the most cited appearances of the evening and, in essence, cemented the trend for "lingerie" aesthetics in evening fashion for the Latin scene.
Greeicy and Mike Bahia: family on the carpet and 'flame' embroidery
One of the most emotional moments was the arrival of Greeicy together with her family. On the singer's transparent tulle dress, red, orange, and golden sequins formed tongues of flame, and the embroidery continued onto the train. Mike Bahia chose a black velvet tuxedo with satin lapels, a white shirt, and dark glasses. The couple walked the carpet with their son Kai, who was also wearing a black suit with a bowtie — a rare gesture for the Latin scene, where the family becomes part of the public image rather than remaining behind the scenes.
Janet Jackson, Bad Gyal, and other notable silhouettes
Janet Jackson appeared in a purple Luar suit: she paired a high-collar jacket with expressive shoulders and an asymmetrical bottom with very wide pleated trousers — a look where the classic tuxedo gave way to a sculptural evening form. Bad Gyal chose a blue Elie Saab dress with a small floral print: a draped neckline, lace on the hip, and an asymmetrical skirt with a high slit were combined with silver sandals. The ceremony's host stepped out in a silver metallized mesh dress with a built-in hood that transitioned into a deep draped neckline, accompanied by a short train. BRIZZA bet on a voluminous feather collar that framed her shoulders — the singer, working with producer Hector Mazzarri on the DSCNTRL project, continued the line of dramatic silhouettes.
The evening's palette: from coral to graphite
Besides white, the evening's palette included soft pink (Anitta’s Vitureta dress with transparent sleeves and Elena Rose’s strapless gown with a corset bodice), bright pink (an Ecuadorian singer's outfit with ruffles, voluminous flowers, and a silver chain at the waist), coral pink (a Chilean singer’s dress with golden stone applications), and graphite (Montenegro’s loose suit with a double-breasted jacket, burgundy tie, and narrow dark glasses). The Mexican singer added his signature cowboy hat to a black tuxedo with a white shirt and bowtie, while Jacobi combined a long, collarless black coat worn on a bare torso with wide trousers and a translucent fuchsia veil decorated with stones. Tavares chose a double-breasted ivory suit with golden buttons, an openwork shirt with colorful diamonds, and white loafers with tassels. Collectively, these looks confirmed that the Latin Grammy 2026 became a platform where white color worked as a canvas, while bright accents — feathers, embroidery, metallized meshes, and lace — defined the character of each look.